『WARU ワル』の真樹日佐夫が原作と脚本を手掛けたアクション。比類なき剣の使い手で、ワルの異名を取る氷室洋二。幼少の頃に剣道道場主である父から猛特訓を受けた彼は、それが原因で15の傷を負う。常に刺激を求める洋二は、今日も血の匂いを求め…。

The film takes place in Chernihiv in the first days of the full-scale Russian invasion of Ukraine. A group of people of different ages and social status find themselves in the basement of a high-rise building, where they are hiding from shelling. After the explosion, the entrance is blocked and everyone stays in the basement for 7 days, facing hunger and constant danger. Under the pressure of fear and uncertainty of who will find them — the Ukrainian army or the Russians — people are divided into warring groups.

Mizuho Enomoto debuts as Myst, one of two beautiful ninja sisters who save Iyori, a young samurai on the run. Myst and Bell have a secret, though - one they'll do anything to protect! As they nurse Iyori back to health, love blossoms - not just between two of them, but between all three! But when Myst's mentor, the demon hag Ogen, shows up looking for a deadly revenge, their forbidden paradise could be shattered forever!

Mizuho Enomoto debuts as Myst, one of two beautiful ninja sisters who save Iyori, a young samurai on the run. Myst and Bell have a secret, though - one they'll do anything to protect! As they nurse Iyori back to health, love blossoms - not just between two of them, but between all three! But when Myst's mentor, the demon hag Ogen, shows up looking for a deadly revenge, their forbidden paradise could be shattered forever!

故事的主角三个角色：“孩子”“阳光先生”“杜姆先生”。故事开始于孩子，他刚刚完成了一次抢劫（手臂中了一枪，并带着数百万美元的箱子。漫无目的地穿过被太阳烘烤的沙漠，他最终昏倒并被遗弃等死），直到杜姆先生开车经过并发现了他和钱。一旦回到杜姆先生的住处（一个被遗弃垃圾场），孩子警告杜姆先生，阳光先生（显然是这次抢劫的幕后黑手）会来找他的钱。于是开始了猫捉老鼠的故事，谁得到装满钱的箱子。杜姆先生还有两个邻居，一个年长的（显然性欲疯狂）女人和她的漂亮（但野性）的女儿（显然对孩子们好奇）。 这部电影的背景是一个（看起来像）荒地沙漠，这可能是像《男孩和他的狗》和《公路战士》这样的电影的先驱。然而，完全保持了塞尔吉奥·莱昂内的感觉。你会看到所有角色在阳光下流汗的特写镜头，以及他西部片中典型的双重背叛。这部电影中的孩子有些像莱昂内另一部杰作《西部往事》中查尔斯·布朗森的角色。但另一方面，这部电影也让我想起了安东尼奥尼的《扎布里斯点》，在超现实沙漠拍摄中。还有使用德国摇滚乐队“Can”，他们的音乐配乐会让人想起平克·弗洛伊德为安东尼奥Antonio）创作的配乐。

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「くノ一忍法帖Ⅶ 柳生外伝/江戸花地獄篇」の続篇。山田風太郎原作の「柳生忍法帖」を大胆に脚色、映像化。会津藩の悪大名と剣豪、柳生十兵衛との壮絶な戦いもついにクライマックスへ ! [R-15]指定相当作品 　　あらすじ 　　前作「江戸花地獄篇」で十兵衛とくノ一の手により、暗殺集団・会津七本槍の一部を失った加藤明成は、あわてて会津に逃亡する。その後を追い、十兵衛とくノ一は敵陣へ乗り込むのだが、待ちうけていたのは想像を絶する新たな敵だった!

「くノ一忍法帖Ⅶ 柳生外伝/江戸花地獄篇」の続篇。山田風太郎原作の「柳生忍法帖」を大胆に脚色、映像化。会津藩の悪大名と剣豪、柳生十兵衛との壮絶な戦いもついにクライマックスへ ! [R-15]指定相当作品 　　あらすじ 　　前作「江戸花地獄篇」で十兵衛とくノ一の手により、暗殺集団・会津七本槍の一部を失った加藤明成は、あわてて会津に逃亡する。その後を追い、十兵衛とくノ一は敵陣へ乗り込むのだが、待ちうけていたのは想像を絶する新たな敵だった!

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. 　　Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. 'Extramuros' is edgy all right: a plot or scheme agreed upon between two lovers to escape their plight, but with a twist. The scheme is similar to some we've recently seen power couples of politicians, religious leader and the like, play out on the world in the last decade. But the twist this film throws in - literal and actual self-flagellation is original. 　　It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns).